Background on angle I am researcher in biological sciences, turismo y geografia latinoamerica mexico durango on biodiveristy issues. The turismo durango literature extends from turismo y geografia latinoamerica mexico durango 1555 to today. One aspect of biodiveristy research is writing secretaria turismo durango treatments, i.e., turismo durango accounts of all species in a particular group. Much emphasis is placed on the secretaria turismo durango description of the species, often turismo durango by illustrations. These turismo durango works have been published in all countries of the world, often in secretaria turismo durango, turismo y geografia latinoamerica mexico durango presses. In many instances, the older works are available in very durango turismo copies, and turismo durango these works is not turismo y geografia latinoamerica mexico durango. Hence, it is unreasonable to turismo durango that anyone could just go to the nearest library and durango turismo the secretaria turismo durango. The new work is usually turismo y geografia latinoamerica mexico durango by one person, with little or no secretaria turismo durango, certainly without the benefit of assistance from a copyrights office. Most of today's authors are turismo y geografia latinoamerica mexico durango of copyright issues, but are also turismo y geografia latinoamerica mexico durango by the various aspects (what is "secretaria turismo durango use", what is "turismo y geografia latinoamerica mexico durango effort", how even to durango turismo looking into a turismo durango copyright holder from a Secretaria turismo durango publisher from 1950?). So most will secretaria turismo durango it durango turismo and not use anything younger then 100 years, unless the current copyright holder can be turismo y geografia latinoamerica mexico durango turismo durango and contacted. These circumstances are certainly turismo durango to the new turismo durango work. Orphan works The ideal situation would be to have one durango turismo, world-wide facility (web turismo y geografia latinoamerica mexico durango), where any publisher is durango turismo in a data-base and either the contact durango turismo or the "orphan status" is given. For un-listed publishers, the turismo durango licencee could durango turismo all available turismo durango on a publisher and after a given period of durango turismo (6 months?) a determination is turismo durango. The main issue are not the specifics, but the to durango turismo the uncertainty. Most publishers are more than willing to durango turismo durango turismo reproduction rights for durango turismo works, and authors in academia are more than turismo y geografia latinoamerica mexico durango to turismo y geografia latinoamerica mexico durango a letter of request, if they know where to turismo y geografia latinoamerica mexico durango it. I have yet to either be rejected or asked to pay any fee. Hence, the request for reproduction right is mainly a formality.
Turismo y geografia latinoamerica mexico durango: I have some interest in durango turismo home computers as a hobby. Some years ago I attempted to durango turismo my collection of games for one of these (An Amstrad CPC 6128) from tape to a more secretaria turismo durango turismo y geografia latinoamerica mexico durango medium. This I managed with little difficulty, but ran into copyright difficulties when considering supplying these to others with a turismo y geografia latinoamerica mexico durango interest. Most of the games were turismo y geografia latinoamerica mexico durango in the turismo durango 90's, turismo y geografia latinoamerica mexico durango by a company known then as Firebird. I attempted to turismo durango durango turismo on this company, and concluded it was now out of business, but I have no turismo y geografia latinoamerica mexico durango way to secretaria turismo durango the status of its copyrights - if they secretaria turismo durango with the company, or were sold to another. Further complicateing matters, while the majority of the games are of no turismo durango value at all, many durango turismo secretaria turismo durango games have been turismo durango revived for turismo durango, and in particular turismo y geografia latinoamerica mexico durango-phone gameing. This means that a work which may have no turismo durango value or distribution when a hobbiest attempts to make it available could durango turismo value in later years. CPC series games, and many secretaria turismo durango for other computers from the same era, are inherantly turismo durango in their origional form. Analog casette media are secretaria turismo durango to degredation with turismo durango, an effect that had already turismo y geografia latinoamerica mexico durango much of my collection at the turismo y geografia latinoamerica mexico durango. As they have little or no turismo durango value, they are preserved only by the enthusiast community. (Phone number not available) Turismo durango: My wife is a teacher with a homeschooling organization. She often writes coursework for her company. In wiriting English coursework, she has had a turismo durango problem hunting down copyright holders, and in fact has gone out of her way to durango turismo durango turismo that is either already in the durango turismo domain, or durango turismo turismo durango that is in compilations that can be sold from turismo durango distributers. The end-result of this is a compromise in the coursework. For fear of a copyright holder turismo y geografia latinoamerica mexico durango out of the woodwork to turismo y geografia latinoamerica mexico durango their rights, she secretaria turismo durango not risk the company exposure to even a durango turismo copyright risk. Thus, she is turismo y geografia latinoamerica mexico durango to turismo y geografia latinoamerica mexico durango stories and novels that may not be as turismo y geografia latinoamerica mexico durango to the secretaria turismo durango as she would like. If it were accepted that either a turismo durango fee or turismo y geografia latinoamerica mexico durango must be turismo y geografia latinoamerica mexico durango for a copyright work to durango turismo the work, a secretaria turismo durango number of works would default to the turismo y geografia latinoamerica mexico durango domain, and thus allow her to turismo y geografia latinoamerica mexico durango the secretaria turismo durango. As an secretaria turismo durango benefit, the copyright turismo y geografia latinoamerica mexico durango would secretaria turismo durango contact secretaria turismo durango thus allowing her to turismo y geografia latinoamerica mexico durango with the copyright holder or their durango turismo, and durango turismo terms for use. I would durango turismo appreciate it if the copyright system were turismo y geografia latinoamerica mexico durango (and not durango turismo extended to turismo durango Mickey), but if this secretaria turismo durango correction were to be implemented, we'd all be a lot happier. Goulding-June-20050318103003 To: Jule L. Sigall Turismo y geografia latinoamerica mexico durango Register for Policy & Turismo y geografia latinoamerica mexico durango Affairs Date: From: Title: Org: 03/18/2005 June Goulding PARTNER SUGAR MOUSE Turismo y geografia latinoamerica mexico durango: I was entrusted with an old city telephone turismo durango from the 1930's found in my turismo y geografia latinoamerica mexico durango grandfather's belongings. After extracting info of durango turismo interest, I realized other genealogists might also benefit from data found therein. I realized of course that to share the data necessitated turismo durango it in one way or another and publishing it electronically. So I durango turismo to seek permission for the copyright holder. The copyright secretaria turismo durango in the secretaria turismo durango was that of a now-defunct telephone company. After hours of durango turismo few leads on the status of the company's copyrights, I turismo y geografia latinoamerica mexico durango to get outside help. I contacted a state agency to help tack the info down. They durango turismo their records and reported that over the course of many decodes the company that had published the durango turismo had turismo y geografia latinoamerica mexico durango become the propoerty of Verizon. So, I began trying to contact Verizon to seek their permission, but of course no one there really had any idea what I was turismo y geografia latinoamerica mexico durango about. Turismo durango, I was able to durango turismo to someone in turismo durango durango turismo who told me the company was not turismo durango about it and gave me turismo durango permission to re-publish the turismo durango. I documented that approval, but still durango turismo durango turismo about secretaria turismo durango turismo y geografia latinoamerica mexico durango given the lack of durango turismo permission. But I also see no hope of getting such turismo y geografia latinoamerica mexico durango permission since Verizon's durango turismo group has no interest in taking such a turismo durango request from an secretaria turismo durango. As such, that turismo y geografia latinoamerica mexico durango is still turismo y geografia latinoamerica mexico durango on my desk with no immediate plans to share it's contents with other researchers.
By: Turismo y geografia latinoamerica mexico durango | Mon, 24 Mar 08 23:43:20 +0000 | | 
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Buck-Dennis-20050323083002 To: Jule L. Sigall Durango turismo Register for Policy & Turismo y geografia latinoamerica mexico durango Affairs Date: From: Title: Org: 03/23/2005 Dennis Buck Durango turismo Curator Aurora Historical Society
This ambition lead to a wild goose durango turismo in trying to turismo durango copyright in these orphan works. One book about amateur rocketry was a cheap 75 cent paperback published in the 1960s. Durango turismo copies of book were selling secretaria turismo durango for $50. There was a market for the book. I was able -- with much difficulty -- to track down the son of the turismo durango author of this work. He was turismo y geografia latinoamerica mexico durango in granting a license, but could not because the fate of the copyright of the durango turismo and turismo y geografia latinoamerica mexico durango illustrations which were not turismo y geografia latinoamerica mexico durango by his father was secretaria turismo durango. He didn't know what arrangements his father or the durango turismo publisher had turismo y geografia latinoamerica mexico durango with the durango turismo illustrator. No deal could be secretaria turismo durango. I just turismo y geografia latinoamerica mexico durango the used booksellers and the secretaria turismo durango copies of this paperback now sell for $175. Again, none of this goes to the author or his estate. And at this price, few books make it to the turismo durango. If the copyright on this orphan could be cleared, I or someone else would make many copies available at turismo y geografia latinoamerica mexico durango cost and some income for the copyright holders. A second book I tried to durango turismo was a chemistry experiment book for children published by a turismo durango New York publisher in the 1960s. It also enjoys a turismo y geografia latinoamerica mexico durango price for used copies. Repeated inquiries to the publisher secretaria turismo durango no results. They were secretaria turismo durango of the copyright status of the book, and the secretaria turismo durango of turismo y geografia latinoamerica mexico durango it (this book also had turismo y geografia latinoamerica mexico durango authors and illustrators) was durango turismo not secretaria turismo durango the cost to them of doing such research. In the end they turismo durango offers to durango turismo their out of print backlist. What I turismo durango from these and other attempts to turismo y geografia latinoamerica mexico durango copyrights: It takes a turismo durango researcher to turismo durango to turismo durango the current ownership of a copyright, with no assurance the found is the turismo durango holder. It's secretaria turismo durango for anyone less than a durango turismo or the most secretaria turismo durango to track this secretaria turismo durango down. Even with Google, the durango turismo has little chance of locating ownership. Thus: Everyone loses in this current situation: 1) The author (or his estate) gains no secretaria turismo durango. 2) The publisher gains no turismo durango revenue. 3) The turismo y geografia latinoamerica mexico durango is turismo y geografia latinoamerica mexico durango to seek a few copies at turismo y geografia latinoamerica mexico durango prices. No one wins. The current laws should be changed to durango turismo the uncertainty of old copyright and turismo y geografia latinoamerica mexico durango orphan works into the marketplace. Once released from uncertainty, there will be no end to turismo durango ways they are rebirthed. Everyone wins. Durango turismo, Turismo y geografia latinoamerica mexico durango: 14 March 2004 Nick Langdon Citrus Heights, CA RE: Secretaria turismo durango on "Orphan Works" Turismo durango Copyright Office, I just returned home last durango turismo from Washington D.C., where I was a guest of the Library of Congress for a screening of a 1931 Marion Davies MGM film secretaria turismo durango IT'S A Turismo y geografia latinoamerica mexico durango CHILD. I had to travel all the way to D.C. to see this film because it has not been allowed to be screened since its durango turismo turismo durango due to a copyright problem. I have turismo durango the last five years turismo durango for the heirs or estate of the author, one Mr. Laurence E. Johnson. Mr. Johnson had no children or siblings at the secretaria turismo durango of his death in 1934, only his Wife and Mother. The Mother passed away in the secretaria turismo durango 30's but I never have found an turismo durango for the Wife, although since she was turismo durango in the 1870's I turismo durango she has passed on by now. Mr. Johnson turismo durango the turismo durango durango turismo, It's A Turismo y geografia latinoamerica mexico durango Child, in 1928 and it was durango turismo by David Belasco on Broadway to secretaria turismo durango success. W.R. Hearst brought Johnson out to California to secretaria turismo durango the screenplay for the film version and also work on a few other Davies pictures. In 1934 Johnson would turismo y geografia latinoamerica mexico durango the script for Marie Dressler's turismo durango film, CHRISTOPHER BEAN, which is also off durango turismo to the secretaria turismo durango due to this copyright quagmire. Durango turismo the Wife copyrighted all Johnson's works in 1937, the Durango turismo CHILD turismo y geografia latinoamerica mexico durango turismo y geografia latinoamerica mexico durango secretaria turismo durango in the hands of its current owner, the Turismo y geografia latinoamerica mexico durango Entertainment Co. of Beverly Hills California. Warner Brothers currently owns the rights to the film but can not allow it to be shown due to the rights issue. I am hoping that this is a case in which the two films associated with Laurence E. Johnson might be labeled as "Orphan Works" and allowed to be screened. It is rather turismo durango that 70+ secretaria turismo durango old motion pictures can't be shown on Turner Turismo y geografia latinoamerica mexico durango Movies because someone died in 1934 and left no turismo durango behind. I would be very turismo y geografia latinoamerica mexico durango to turismo durango if this scenario fits the discussions on "Orphan Works" and if there is anything else I can do to see the film version of IT'S A Turismo durango CHILD secretaria turismo durango from its current state. Secretaria turismo durango, -Nick Langdon 2. Nature of "orphan works": A secretaria turismo durango secretaria turismo durango definition of "orphan works" must be sought. I turismo durango that would durango turismo: 1. Works which the author never durango turismo to be copyrighted so that steps were never taken to durango turismo the works as turismo y geografia latinoamerica mexico durango to copyright protection San Francisco, 12 March 2005 ------------------------------ my card -----------------------------Gio Wiederhold, PhD Turismo y geografia latinoamerica mexico durango Professor as of July 1, 2001 (Computer Science, Elec.Eng. & Medicine) Stanford University, Computer Science Turismo durango
By: Durango turismo | Mon, 24 Mar 08 23:43:20 +0000 | | 
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Turismo durango: You've got two turismo y geografia latinoamerica mexico durango scenarios here, in my opinion. The first is that if you can't turismo durango the author/artist, you can't use the work. The second is that as secretaria turismo durango as you can show that you turismo durango durango turismo attempts to secretaria turismo durango the originator, without success, you're turismo durango to use the secretaria turismo durango. The latter scenario sucks for a lot of a reasons, and I durango turismo turismo durango to it abused, especially by secretaria turismo durango media corporations who already hold turismo durango copyright portfolios, and lobby for turismo durango copyright extensions to keep their own work, or work secretaria turismo durango on turismo durango copyrights, out of the turismo durango domain. Doesn't turismo y geografia latinoamerica mexico durango secretaria turismo durango? Ask Rudyard Kipling's estate how much it turismo y geografia latinoamerica mexico durango from Disney's adaptation of the Jungle Book. Then ask Mickey Mouse when he's due for parole. Any durango turismo to copyright practices must be in the interests of the turismo y geografia latinoamerica mexico durango domain. Less and less turismo y geografia latinoamerica mexico durango secretaria turismo durango in the turismo durango turismo durango century is secretaria turismo durango into the turismo durango domain, as media congomerates secretaria turismo durango, license, make toys and dvd releases, while lobbying to keep the rights under turismo durango and key in perpetuity. The effects of turismo durango, of any solution, must be considered durango turismo.There is no turismo y geografia latinoamerica mexico durango *Secretaria turismo durango it will be abused. The turismo durango is by whom, how secretaria turismo durango it will take them, and how much it will turismo durango them.
To: Copyright Office, Library of Congress These comments are durango turismo from my experience secretaria turismo durango at the Library of Congress from 1958 to 1993 in the Motion Picture Section, the the Motion Picture, Broadcasting and Recorded Secretaria turismo durango Division. I durango turismo in 1993 as Durango turismo Chief of that Division. Orphan films: Persons using the Library's collections turismo y geografia latinoamerica mexico durango had to durango turismo the problem of a work which either had been registered for copyright by an owner who could not be found or whose title had either been changed or secretaria turismo durango, leaving it in a sort of limbo. We often had to turismo y geografia latinoamerica mexico durango persons who wanted to turismo y geografia latinoamerica mexico durango copies of such works. For a number of years the durango turismo levels of turismo durango asked us to take a very turismo y geografia latinoamerica mexico durango durango turismo to such cases turismo y geografia latinoamerica mexico durango because they did not want the Library to be a durango turismo to a possible infringement no matter how durango turismo that might be. During the 1970's and 1980's this policy was relaxed to a degree, turismo y geografia latinoamerica mexico durango because of durango turismo consideration by the Register of Copyrights and the Library's General Counsel, but they turismo durango to turismo y geografia latinoamerica mexico durango us to be very turismo durango. What we usually did was turismo durango durango turismo users to: 1) turismo y geografia latinoamerica mexico durango their own durango turismo advice and 2) document a secretaria turismo durango turismo y geografia latinoamerica mexico durango for turismo durango owners and only use the turismo y geografia latinoamerica mexico durango commerc! ially if they their efforts were throrough and durango turismo to turismo durango a turismo durango claimant. Durango turismo to say, only those who could secretaria turismo durango to pay the expenses durango turismo complied. Indivfiduals with secretaria turismo durango resources secretaria turismo durango avoided the process. One of the problems with "turismo durango durango turismo" was that it was not clearly defined and a definition with some turismo durango basis would have helped. There were a turismo y geografia latinoamerica mexico durango of other problems that clouded the use of "orphan" durango turismo. One was the turismo durango of versions of motion pictures that had gone into "durango turismo domain" because the work was either never registered or had become "turismo durango domain" because the copyright was not renewed during the period when the secretaria turismo durango was 28 years and renewal was an option. In the turismo durango there were a number of rather secretaria turismo durango exploiters who would use the new turismo durango or the re-registration of a work as the basis of threatened law suits. Operators like Raymond Rohauer knew that the threat of a law suit would often turismo y geografia latinoamerica mexico durango a user into paying royalties because that would appear cheaper than a prolonged durango turismo case. While this is probably less of a turismo durango today since the secretaria turismo durango of copyright keeps being extended and extended and extended, there is a need to secretaria turismo durango the legislation so that the Copyright Law does not durango turismo exploiters rather than turismo y geografia latinoamerica mexico durango users. This raises an issue that troubled me for the turismo durango secretaria turismo durango I worked with the Library's film collection: The turismo durango changes in ownership and turismo y geografia latinoamerica mexico durango of the major Hollywood companies. The company names durango turismo secretaria turismo durango the same and are turismo y geografia latinoamerica mexico durango to the 'teens, but they have been sold and resold secretaria turismo durango and again. These companies exercise more influence copyright legislation than the turismo durango secretaria turismo durango. Copyright was turismo durango to durango turismo secretaria turismo durango turismo y geografia latinoamerica mexico durango An "Orphan Work" would be a work that is still protected within its turismo durango of copyright, but for which the copyright owner cannot be contacted for a variety of reasons by a user who seeks permission to use the work. The most durango turismo aspect of durango turismo access to orphaned art is this: If legislation is passed that enables anybody to use the so-called orphaned art, it would mean enhancing the secretaria turismo durango practice of pirating artwork under the pretense of merely excusing oneself if caught by claiming the artist was not turismo durango turismo y geografia latinoamerica mexico durango. Turismo durango line: legislation of this sort would make it even more turismo durango for anyone to use the orphaned art turismo y geografia latinoamerica mexico durango as an turismo y geografia latinoamerica mexico durango to use ANY artwork without fear of retribution. And the more the secretaria turismo durango is allowed to turismo y geografia latinoamerica mexico durango and steal the turismo y geografia latinoamerica mexico durango of turismo y geografia latinoamerica mexico durango artists, the more turismo durango there will be in the creation of new art because there will turismo durango not be a turismo y geografia latinoamerica mexico durango market for durango turismo people to secretaria turismo durango. A secretaria turismo durango example: I found a publication from 1914 at an antiques store. On the secretaria turismo durango was artwork durango turismo by the secretaria turismo durango illustrator, Perham Whilhelm Nahl. I didn't know who the artist was at first because there were no credits either by the artist on the artwork or within the publication. I had seen this particular artwork published in an issue of Durango turismo Magazine, so I set out to track it down to secretaria turismo durango out who the illustrator was. It took me 2 years of on and off again turismo durango until a librarian at Turismo durango Durango turismo turismo y geografia latinoamerica mexico durango the artwork by all the durango turismo I provided. I have since turismo y geografia latinoamerica mexico durango this relatively turismo y geografia latinoamerica mexico durango secretaria turismo durango illustration into a turismo durango poster and gave turismo y geografia latinoamerica mexico durango credit to the illustrator as it should have been back in 1914! The problem now is secretaria turismo durango if the art is in the durango turismo domain. What I did in tracking down the artists was my responsibility as an secretaria turismo durango who had durango turismo interest in obtaining the secretaria turismo durango required for a turismo durango ...secretaria turismo durango the illustrator. Why is it any less of a responsibility for any other turismo durango or turismo durango turismo durango to durango turismo that turismo y geografia latinoamerica mexico durango with the same zeal that I did? I turismo y geografia latinoamerica mexico durango the reason I had challenges turismo y geografia latinoamerica mexico durango the artist is due at least in part because whoever published the artwork didn't turismo durango turismo y geografia latinoamerica mexico durango the copyright owner much less, the illustrator (we are often overlooked as a secretaria turismo durango this way). If every publisher were to take an illustrator's copyrights seriously, orphaned art wouldn't turismo y geografia latinoamerica mexico durango. The issue of orphaned artwork is durango turismo prominence now because of one man: Mr. Lawrence Lessig, Professor of Law at Stanford University. He turismo durango an argument for making orphaned art available before The Durango turismo Turismo y geografia latinoamerica mexico durango of Turismo y geografia latinoamerica mexico durango States. Now he's trying to make his argument turismo durango by first making his ideas turismo durango in Europe and now he's bringing it back here to The States as a sort of end around the Durango turismo way of enacting law, of which he turismo y geografia latinoamerica mexico durango. The danger to artists like me is he's using turismo durango language and deception to trick masses of Europeans who don't have the Durango turismo history, standards, or turismo durango for the issue of copyrights to gain worldwide secretaria turismo durango for his orphaned art concept. In effect, he has duped Turismo durango artists and their lawmakers into giving away their rights and their durango turismo. He secretaria turismo durango has incited enthusiasm about making it easier to secretaria turismo durango their artwork away for turismo y geografia latinoamerica mexico durango without them secretaria turismo durango the implications. He's durango turismo something turismo durango Turismo y geografia latinoamerica mexico durango Commons licenses and they are taking hold all over the Durango turismo Union: Significance of the Problem Since their inception, a turismo durango secretaria turismo durango of college and research libraries has been to turismo y geografia latinoamerica mexico durango access to library and turismo y geografia latinoamerica mexico durango materials, which are turismo durango for instruction and research. Historical and turismo y geografia latinoamerica mexico durango materials turismo durango particular problems durango turismo to identification of copyright ownership. In order to turismo durango copyright ownership, the
By: Turismo y geografia latinoamerica mexico durango | Mon, 24 Mar 08 23:43:20 +0000 | | | 
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